From sickly to stunning: The polio survivor who became a Hollywood icon

Cyd Charisse was a dazzling force of nature—an artist who transcended mere performance through her mastery of dance, acting, and music. Born Tula Ellice Finklea in Texas, she overcame childhood polio through ballet, which was initially prescribed to rebuild her strength. That recovery not only healed her but launched a legendary career. Her nickname “Cyd” came from a brother’s mispronunciation, and once Hollywood got involved, the transformation was complete.

Growing up in Amarillo, Texas, Charisse faced few cultural luxuries but discovered discipline and grace through dance. By her teens, she was studying in Los Angeles and abroad, briefly using Russian-influenced stage names to reflect her classical training. Beneath the branding, however, remained her unmistakable elegance and emotional power. Her technique set her apart, and her musicality was fierce and intuitive.

Charisse broke into film through her dance rather than dialogue. MGM brought her in during its golden era, slowly elevating her from background parts to standout roles. Her iconic turn in Singin’ in the Rain (1952), particularly the “Broadway Melody” ballet, remains unforgettable. In that green dress, her leg lines told the story words never could.

She was unique in being a perfect match for both Gene Kelly and Fred Astaire. With Kelly, she was strong yet sensual; with Astaire, lyrical and fluid. Their duet “Dancing in the Dark” from The Band Wagon (1953) is often cited as one of the most romantic and technically brilliant dance scenes in film history.

Charisse’s genius wasn’t just in her body, but in her timing. Her ballet training gave her form, but she could make jazz movements breathe. While other dancers wowed with speed, Charisse mastered the art of suspension and flow, commanding time like a conductor.

Offscreen, she was grounded—married to singer Tony Martin for over 60 years and known for her grace and discipline. Though touched by personal tragedy, she remained devoted to her craft and later mentored younger dancers. Her passing in 2008 ended a luminous life, but her legacy lives—timeless, elegant, and always in motion.

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